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TL; DR Suffering builds character. Suffering builds character. Suffering builds character.
Note this game should come with a warning about the mature content…

John and his family have this cozy off-planet vacation all planned out, but space travel takes a while, so first they will need to take a short nap…
What is the worst family vacation you have ever been on? That bad huh, well, unfortunately for John, him and his family are having an even tougher time. He wakes up, disoriented in an unfamiliar place, and grievously injured, neither his wife, his daughter nor anyone else is there, he is alone and trembles with the cold.
This game is incredible gripping, it is not just that you feel for John, and you want him to reunite with his family, but it is also the stories going on around him, the scattered diaries of people abandoned in their final moments. Groomlake had some awful people on it, but others tried to do good, both make for interesting reads because you get to read their rationalisation, and you get read how others viewed their actions at the time, i.e. before you woke up.
With that said, are you squeamish? Because if you are you should not play this game, John is a teacher, and he has a heard time dealing with what he sees, he pukes, and panics but he carries on because his family is somewhere on Groomlake… and what is he doing with that drill?
JOHN NO, PUT IT DOWN, JOHN!!
As for the puzzles, they are typically on the easier side, combining and using items in logical ways, or solving something trickier with clues scattered about the surrounding area. In fact, most areas are self-contained, and you will typically find and use everything in a single section before moving on, of course there are exceptions, typically tools and the like, but in those cases, you know you will use them shortly, they are not just there to clog up your inventory.
So, there was only one time when I felt the need to look up a solution, and that was because I kept missing a clue!
STASIS might also give you a newfound understanding of pool cues, did you know that they are about as sharp as knives?
I digress, a more important thing to know is that I went out of bounds twice, on accident, including the third room in the game, so make sure you save frequently to avoid replaying or resolving puzzles.

I made this review a bit silly but do not expect sillyness from STASIS, if they happen to make a joke, they will be at the gallows.

Buy it during a sale or try it if it came in a bundle IF you really want it. I would not recommend getting this game individually at full price. If you happen to get it discounted or in a bundle like I did, there's no harm in giving it a try, but I would not buy it alone for specific reasons.
Let's talk about the things the game does great. The horror in this game is done really well. It does not depend on jumpscares (though there are like 2 in game) but instead the atmosphere and details. It does not shy away from blood and gore. There's an aspect of body horror as well. Its the type of horror that makes you squirm in disgust. It will make you appalled. In fact, one of the scenes in game kept me up for a bit when trying to sleep. The game perfectly encapsulates what it hopes to deliver; a derelict research station, run by narcissistic, morally bankrupt personnel, owned by a megacorporation that probably doesn't really care. It does horror really well for an isometric game.
Worldbuilding, atmosphere and details. The artstyle is reminiscent of classic point and click games and definitely adds more to the atmosphere despite being dated. Rusted corridors, bloodstained walls, abandoned equipment with text descriptions. The soundtrack is wonderful and sound design immaculate. Background noises will definitely give you the creeps sometimes. There are also the scattered PDAs of the station staff, full of details about the station and the staff themselves. They tell of each staffs' motivations, personalities and paint a picture of what happened on the station. With each PDA you read, you will slowly piece together the background of the station as well as its former inhabitants. Of course, this is only a selling point if you like reading. But reading is one of the main quirks of point and clicks anyway, if not, why are you here?
Now the negatives. Despite having such great detailing in the form of text descriptions, the game fails to deliver a satisfying story, especially the ending. Its kind of cliche and has a few minor loose ends. Its really weird how background characters that are dead and don't appear in game have seemingly more detail and development in the form of PDA logs than the actual characters in the game. I can't say anything without spoiling it, but the ending was really lackluster. I feel like there was a lot more potential things we could explore about the antagonist(s) and their motivations.
Gameplay wise, it suffers from the pitfalls common in a lot of other click and point games. Seemingly unrelated objects needing to be used together, interactable objects blending into the background, vague solutions to some of the puzzles. If you are doing a blind run without a guide, you will find yourself running around like a headless chicken multiple times.
In summary:
I would recommend getting it on sale or trying it out if it came in a bundle; to experience the setting, worldbuilding, soundtracks and beautifully crafted maps and details. Do not hold any high expectations for the story or gameplay and you will be pleasantly surprised at the experience. There is a lot to be enjoyed here despite its inherent flaws, especially if you like reading.

Christopher Bischoff spoke about how he was very inspired by films like "Alien" (1979) , "Event Horizon" (1997) and even "The Thing" (1982). The video game Sanitarium from 1998 played a hand in this as well and I have no doubt that the original Fallout had contributed some ideas to Christopher's vision. Having these themes of a dystopian corporation, cyberpunk like fusion of electronics with flesh and displaying peoples as mere tools to play god. STASIS finds ways to take many aspects of everything listed while standing original in its presentation and story.
However, STASIS has a problem that many point and click adventures faced in the past. The 200 IQ puzzle problem. I am no tourist when it comes to these games, especially when it comes to the most bizarre solutions. I understand the puzzle elements include experimentation with item combinations and frustratingly clicking on everything. STASIS on rare occasions did not make sense in its puzzle solutions and puzzle combinations. I did hit a wall once and had look up a guide and the solution to a puzzle was even out of my reach even when I was thinking outside the box. I am not going to blame the developers here as I think this was an oversight and its not an issue that I had faced constantly while playing the game, only merely had come up a few times during play. Due to this, a good amount of players should know what they are getting into when looking into this game. I would argue the prequel that came out after named CAYNE is actually harder.
While your not hitting your head on the wall on certain areas with its puzzles. You get a lot of time to breath the atmosphere and it does an immense job of sucking you in with its sound scape. Christopher has mentioned that sound in an important element and he is not wrong. Everything sounds either eerie or violent. Empty hallways with emergency lights followed by a spacious echo of the alarms blaring or the sound of machinery at work as it sounds like something that would tear your flesh like paper. The other means of really pulling the player in is the shock value that its brought in the game, extreme violence, grotesque design and vomiting environments.
STASIS succeeds in the world the Bischoff's present to you. STASIS is not going to be leaving my head for a very long time, just like the television movie "Threads" (1984) its a way to show effect of what happens when humanity is no longer relevant. Another perspective presenting an apocalyptic futuristic dystopian hell.